Table of Contents
[Verse 1]
Close the doors in my face
Pass me with another in front
Yell me no with your eyes
To see if I stop loving you
Tell me again that you don’t love me
So that I stay very clear
Stop see if on all the walls
I stop writing “I need you”
However, Jenni Rivera Translates Ya Lo Se lyrics into English: Jenni Rivera (born July 2, 1969) is a Mexican-American singer better known for her work within the banda and norteña music genres. She’s been active in the music scene since 1992, and her recordings include many topical songs and material dealing with social issues, infidelity, and relationships. Her tenth studio album, Jenni in 2008, became her first number-one album on the Billboard Top Latin Albums chart in the United States.
on Bandsintown
The easy, fast & fun way to be taught how to sing
Close the doors in my face, Walk me past someone
else
Yell me no with your eyes
To see if I stop affectionate you Tell
me again that you don’t love me
To make it straightforward for me
To see if on all the walls
I stop writing I need you I
already I know
that even if I cry, ask and implore you, you wo
don’t come back, I already know,
but my heart, like hell
, I make him understand, I
already know,
that even if you don’t love me, I’ll always
remember you, look at me.
Tell me that even if I ask you, I cry, I beg
you, I implore you, you won’t come back
That even if I cry, I ask you, and I implore you, You wo
could you not come back; I already know?
But my heart as hell
I make him understand I
already know
That even if you don’t love me, I will always
remember you, look at me
Tell me that even if I ask you, I cry, I beg
you and implore you, you won’t come back
I already know it
Jenni Rivera
Track 6 on
The big lady
Produced by
Jenni Rivera
View All Credits
I already know
Close the doors in my face
Pass me with another in front
Yell me no with your eyes
To see if I stop affectionate you
Tell me once more that you don’t love me
So that I stay obvious
Stop see if on all the walls
I stop writing “I need you”
I already know, even if I cry, ask and implore you, You wo
don’t come back
I know, but how the hell can I make my heart understand I
already know that although you do not love me I will always remember you
[Post-Chorus] Look
at
I tell me that even if I ask you, I cry, I beg
and implore you
You’re not coming back, my heart; how can I make him understand? I already know, even if you don’t love me, I’ll never forget you
Popular lyrics Jenni Rivera
When I remember you
With the
In exchange for?
I’m a woman
Two Bottles of Mezcal
What are you going to give me
when you open your eyes
Kisses and Cups
Popular lyrics
What Matters Now – Zola Blood
The First Cut Is the Deepest – Rod Stewart
Amapolas – Leo Rizzi
Paid in Full – Eric B. & Rakim
New Fool at an Old Game – Reba McEntire
This Is Me – Dream
Robbers – Koopsta Knicca
My Immortal – Evanescence
Rains – Marina Khlebnikova
Lie – BTS
Don’t Burn Out – Mary Gu
Strange Lot – Seth Sentry
Sunflower – Priscilla Alcantara & Whindersson Nunes
Four Leaf Clover – Abra Moore
Where Am I From – Coby & Roman
Soft Rain – Ray Price
No Air – THE BOYZ
Lucky – Adrian Milano
Second Sermon – Black Sherif
Thank You – Lennon Stella.
REVISIT: JENNI RIVERA, THE GREAT LADY
However, The Jenni Rivera GRAMMY Museum, La Gran Seora, opened on May 12, 2013. As “Diva de la Banda” – owing to her work in the banda and musical genres – Rivera was the centerpiece of the exhibition, which debuted on Mother’s Day and demonstrated how Rivera had utilized her music and reputation to overcome prevailing gender stereotypes. in Mexican music. for many years.
Jenni Rivera’s family collaborated with the GRAMMY Museum to showcase pieces from their personal collection. Rivera’s stage costumes, personal belongings, rare pictures, handwritten notes, awards, tour detritus, and fan souvenirs were all on display.
Jenni Rivera, La Gran Seora debuted at the GRAMMY Museum on May 12, 2013. The show, which debuted on Mother’s Day, centered on Rivera as the “Diva de Banda” because of her work in the banda and music genres, demonstrating how Rivera utilized her music and notoriety to break down long-held gender stereotypes in Mexican music.
The GRAMMY Museum worked with the family of Jenni Rivera to display items from her private collection. The exhibit included Rivera costumes, personal items, rare photography, handwritten notes, awards, tour ephemera, and fan memorabilia
Regional Mexican music, while musically rich and aesthetically diverse, has long been plagued by gender stereotypes and misogyny – until Jenni Rivera arrived. the American-born daughter of Mexican immigrants, broke the glass ceilings of the hitherto male-dominated banda and genres. a member of the musical Rivera family, started at the bottom of the recording industry, selling CDs at flea markets, playing nightclubs, and beating on radio station doors.
Jenni became a hero to women (and men) who shared her challenges and passion for life. Jenni was incredibly real in a world of meticulously created fame. Her song revealed her soul, and audiences welcomed her. Her followers helped her to become one of Latin music’s biggest performers. Jenni was a caring mother, philanthropist, and fearless businesswoman in addition to having a multifaceted artistic genius. Jenni was still discovering new chances at the age of 43. Her commercial empire was developing, she was branching out into other media, and her mainstream viewership was exploding. Unfortunately, she and six others tragically died in an aircraft crash in Mexico in 2012.
With this show, the GRAMMY Museum pays respect to Jenni Rivera’s history, celebrating her skill, entrepreneurial savvy, and personal devotion that helped her become a musical trailblazer and cultural icon.
Regional Mexican music has been musically rich and stylistically diverse but has long suffered from gender stereotypes and prevailing sexism—until Jenni Rivera arrived. The US-born daughter of Mexican immigrants, Jenni shattered the glass ceilings of the banda and norteño genres that were previously dominated by male artists. As a member of the talented Rivera family, Jenni started small, selling CDs in markets, playing nightclubs, and knocking on station doors.
However, Jenni became a hero to women (and men) who could relate to her difficulties and desire to live. And also, Jenni was incredibly real in a world of meticulously constructed superstars. Her songs exposed her essence, and the people welcomed her. Her followers spurred her to become one of Latin music’s biggest performers. Jenni was a wonderful mother, philanthropist, and strong entrepreneur in addition to having a multifaceted artistic genius. Jenni was still discovering new chances at the age of 43. Her corporate empire was developing, she was branching out into new media, and her core following was expanding rapidly. She and six other passengers were killed in an aircraft crash in Mexico in 2012.
However, The GRAMMY Museum honored the legacy of Jenni Rivera with this exhibit, celebrating the talent, entrepreneurial insight, and personal passion that made her a musical pioneer and cultural icon.
The Diva Of The Band
However, Jenni had her enemies as a woman performing and creating songs in a genre dominated by men, but they were far outweighed by her passionate admirers. And also, Jenni went from witnessing a DJ toss her CD in the garbage in front of her face to selling out big concert halls with her daring and outspoken lyrics, stunning attire, musical integrity, and passionate attitude. And also, She was the first female regional Mexican musician to perform at the Staples Center in 2011.
Moreover, Jenni, a self-described Malandrino, would consume tequila on stage and speak to her intergenerational audience about life’s hardships in uninhibited language. However, Jenni’s supporters considered her to be personable, inspiring, and utterly genuine. Moreover,, In addition, Jenni grew increasingly active in all aspects of musical production offstage. La Gran Senora, her debut album, was released in 2009. exhibited a gentler side on the double-platinum album. La Gran Seora is a celebration of her traditional Mexican heritage, including mariachi music rather than the more energetic banda or genres. Jenni has once again shown to be a multifaceted, multitalented, and gorgeous force in Latin music and culture generations.
Moreover, As a woman who sang and wrote songs in a male-dominated genre, Jenni had more than her share of detractors, but her devoted fans outnumbered them. And also, With her bold and outspoken lyrics, gorgeous wardrobe, musical integrity, and passionate personality, Jenni went from watching a DJ throw her CD in the trash to completely selling out major concert halls. And also, In 2011, she became the first regional Mexican female artist to headline the Staples Center.
However, Jenni, a delinquent, drank tequila onstage and spoke to her multi-l audience on life’s hardships in unrestrained language. Moreover, Jenni’s supporters considered her to be personable, inspiring, and completely genuine. And also, Jenni grew more active in all elements of music creation offstage. Moreover, La Gran Senora, her debut album, was released in 2009. exhibited a gentler side on the double-platinum album. La Gran Seora is a celebration of her traditional Mexican heritage, with more romantic mariachi music than the more frenetic banda or genres. Jenni has once again demonstrated that she is a multifaceted, multitalented, and gorgeous force in Latin music and culture.
However, Could you close the door in my face1?
pass in front of me with someone else
scream no with a look
to see if I’ll stop loving you
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